Final Essay – Melville’s Critique on Capitalism

Herman Melvilles’s novel, Moby-Dick, serves as a critique of capitalism and its effect on American society. Throughout the novel Melville uses the whaling industry as a metaphor for capitalism; he demonstrates the life-threatening labor of workers in the whaling industry and how crewmembers on the Pequod are merely seen as a commodity for profit, how material wealth overrides the morality of those working and living in a capitalist society, and the disconnect between the consumer and the laborer. The novel shows readers that capitalism in America has created an individualistic society in which profit and gain take precedent over morals and lives.

In Chapter 93, “The Castaway,” Melville uses the character Pip to highlight how workers are seen as a commodity for profit in American capitalist society, and how the life-threatening labor of those in the whaling industry are put aside in order to make a profit.. While chasing a whale, Pip leaps overboard and is caught by the rope connected to the whale. With the only option to save him being to cut the rope and freeing the whale, Pip is reluctantly saved by Stubb, who berates him for the incident: “ ‘Stick to the boat, Pip, or by the Lord, I wont pick you if you jump; mind that. We can’t afford to lose whales by the likes of you; a whale would sell for thirty times what you would, Pip, in Alabama. Bear that in mind, and don’t jump any more.’ Hereby perhaps Stubb indirectly hinted, that though man loves his fellow, yet man is a money-making animal, which propensity too often interferes with his benevolence” (Melville 452). Pip is told by Stubb that his life is not worth more than any amount of money that could be made from the whale. Profit over life, unsurprising considering the money is made off of the killing of whales. Melville shows the harsh reality of the industry, how workers are seen as expendable and should not be considered anything more than a commodity and a way to gain wealth. Directly after this, Pip falls overboard once more, and the cruelty of capitalism is shown in full effect: “Pip jumped again… when the whale started to run, Pip was left behind on the sea, like a hurried traveller’s trunk. Alas! Stubb was but too true to his word… Stubb’s inexorable back was turned upon him; and the whale was winged. In three minutes, a whole mile of shoreless ocean was between Pip and Stubb… For the rest, blame not Stubb too hardly. The thing is common in that fishery” (Melville 452-454). This time, Stubb sticks to his word and puts the potential profit of the whale over the life of Pip. Melville also points out how this is a common occurrence in the industry, and to not judge Stubb too harshly for his immoral decision. Too often it is seen in America that the lives of workers are less important than the money that is made off of them. Capitalism has created a society that does not care about the loss of life so long as the money keeps coming in. Pip’s life did not matter to Stubb or to any of the other members on the boat, as they were too focused on killing the whale that could make them some money. Perhaps even more so, Melville uses Pip, a Black American, to demonstrate how another industry puts the importance of profit over life and morality; slavery. Still the major issue in America at the time of the novel’s publication, slavery is capitalism in its most cruel form. The gaining of profit off of the buying and selling of humans, forcing them into unpaid labor, and treating them like they are inferior. This chapter goes to the full extent in showing the brutality and viciousness of capitalism in America, and how money overrides morals.

In Chapter 36, titled “The Quarter Deck,” Melville demonstrates how Captain Ahab is able to use a form of currency, in this case a golden doubloon, to influence the crewmembers into overriding their moral obligations to the original journey, allowing Ahab to take full control of the Pequod and manipulate and bribe the crewmembers into doing his bidding. “ ‘Whosoever of ye raises me a white-headed whale with a wrinkled brow and a crooked jaw; whosoever of ye raises me that white-headed whale, with three holes punctured in his starboard fluke – look ye, whosoever of ye raises me that same white whale, he shall have this gould ounce, my boys!’ ‘Huzza! huzza!’ cried the seamen, as with swinging tarpaulins they hailed the act of nailing the gold to the mast” (Melville 176). Captain Ahab is able to use the gold doubloon as an economic incentive for the crewmembers on the Pequod, demonstrating how monetary items can be used to exploit workers into doing harmful and dangerous things. Here, Ahab is using the doubloon as a way to gain the trust of the crewmembers on the ship, and to steer them into dangerous waters away from their original whaling expedition in order to conquer his own personal and malicious goal, which will result in the death of most of those on board. In this chapter, Melville is showing the reader how the doubloon is a metaphor for capitalism; under capitalism, it is normalized for morals, ethics, and safety to take a back seat to money and personal profit. Melville is criticizing how capitalism has essentially bribed everyone into thinking that money is at the top of the pedestal, and all other values and ethics must be ignored if you wish to be at the top. The pursuit of wealth results in the loss of morals, and the men on the Pequod do not care what it takes to be the one who gets Captain Ahab’s gold doubloon.

Throughout the novel Melville shows the dangers of the whaling industry. He goes into the harsh details of killing whales and the production of whale oil, a product used by many Americans at the time; by doing so Melville is able to demonstrate the disconnect between consumers and laborers under capitalism. In Chapter 61, titled “Stubb Kills a Whale,” Melville gives the reader a brutal detailing on the killing of a whale by Stubb: “And now abating in his flurry, the whale once more rolled out into view; surging from side to side; spasmodically dilating and contracting his spout-hole, with sharp, cracking, agonized respirations. At last, gush after gush of clotted red gore, as if it had been the purple lees of red wine, shot into the frighted air; and falling back again, ran dripping down his motionless flanks into the sea. His heart had burst! ‘He’s dead, Mr. Stubb,’ said Tashtego” (Melville 311-312). The production of whale oil comes at a cost. The harsh killing of whales in a most vicious form, of course dangerous for whales but also the men tasked with killing them. Consumers are not the ones going out into the ocean and harpooning a whale until it is dead, yet they are the ones using the oil for simple things like candles, lamps, and soap. The reader sees the production of squeezing the sperm out of the whale in Chapter 94, “A Squeeze of the Hand.” While this chapter may be known for other things, it demonstrates what the worker sees versus what the buyer sees. Ishmael describes the grisly process which goes on inside of the blubber-room: “With his gaff, the gaffman hooks on to a sheet of blubber, and strives to hold it from slipping, as the ship pitches and lurches about. Meanwhile, the spade-man stands on the sheet itself, perpendicularly chopping it into the portable horse-pieces. This spade is sharp as hone can make it; the spademan’s feet are shoeless… If he cuts off one of his own toes, or one of his assistant’s, would you be very much astonished? Toes are scarce among veteran blubber-room men” (Melville 458). The process of creating this oil is unknown to the consumer, yet they use it to light lamps and to make soaps, candles, and other cosmetics. Melville here is showing the reader how the consumer doesn’t see what goes on inside the blubber-room, but rather they only see the finished product as something that is clean and seemingly pure. Capitalism thrives on consumers not knowing how products are made. Capitalist societies are able to make huge amounts of profit as a result of the harsh labor of others, those who lose limbs doing a job that they hardly get paid for, and the buyer is ignorant to all of it. Poor working conditions and cheap wages are the backbone of capitalism, for its exploitative nature will allow for nothing else.

A scholarly titled, “Moby Dick and the Crimes of the Economy,” written by author Vincenzo Ruggiero and published by the Oxford University Press, explores the idea of Moby-Dick in terms of an economical system in which the reader should note that in the novel we see the exploitation, the violence, and the corruptness in capitalism. When discussing the comparison of the whaling industry and Captain Ahab, Ruggiero writes: “Ishmael’s criticism of Ahab’s excesses diverts him, though not completely, from criticizing the whaling industry itself (Moretti 1996: 32). His condemnation wavers because he is unable to establish whether it is the logic of that industry which creates the Ahabs or whether the captain’s excesses are the result of a subjective, pathological, drive…Surely, Ahab is full of ira et studio and is incapable of running his business with a spirit of formalistic imper constant violation of the official rules, however, can only partially be attributed industry in which he is involved, and his crimes are mainly extrinsic to that industry” (Ruggiero 103-104). Here it seems as though Ruggiero suggests that Ishmael is more comfortable with critiquing Ahab rather than criticizing the whaling industry as a whole. While Ahab’s behavior is certainly inexcusable, it does not take away from the fact that the entire industry is flawed, and that its immoral values is what could have led to the madness of Ahab and the corruption of the crewmembers on the Pequod. Ruggiero is offering the idea that the systemic structure of capitalism should be at blame, not just one man who takes it to the extreme. In another scholarly article, “Melville’s Economy of Language,” published by Cambridge University Press, author Paul Royster criticizes the blame of Ahab for what is the fault of the whaling industry. He writes, “Viewing Moby-Dick as a less than radical critique of American capitalism coincides with one of the plot’s central features: Ahab’s rebellion against God, economy, and nature. Ahab has no respect for the commercial purposes of the Pequod’s voyage, yet the form of his opposition to the system of eco­nomic relations serves ultimately to reinforce the values of the bourgeois order. Ahab’s madness, his usurpation of power, and his rigid authoritarianism all deflect criticism away from the economic system that launched the Pequod” (Royster 322). Just like what Ruggiero is suggesting, Royster believes that by blaming Captain Ahab for what happens in the novel, the whaling industry and capitalism are not held at fault. Ahab goes against the original plan of the Pequod’s journey, yet he still reinforces the standards of the bourgeois in his acts of self gain, harsh labor conditions, and ruling by authoritarianism. However this should not take away from the fact that the Pequod is only in this position because of the whaling industry and capitalism. Without the whaling industry, there would be no Pequod nor would there be a Captain Ahab, and the capitalist values that attempt to conquer the ocean would cease. Both Ruggiero and Royster are asking the readers to look more in depth into what Melville is writing; do not look at a character like Ahab without seeing the underlying meanings in the novel. Captain Ahab is a product of capitalism and the whaling industry, and to solely blame him for the destruction of the Pequod and the men on board is to not hold capitalism’s systemic issues responsible.

Herman Melville’s novel, Moby-Dick, is a critique of capitalism and how it has severely affected American society. Melville uses the whaling industry to criticize capitalism, while demonstrating the poor treatment of workers, the disparity between consumer and laborer, and the immorality of capitalism. Both scholarly articles also discuss the importance of blaming the entire whaling industry and capitalism as a whole for what happens in the novel, not just the actions of Captain Ahab. To read Moby-Dick is to inherently read a novel that discusses how capitalism is to blame for turning America into a country in which profit is more important than lives, whether that life be whale or human.

Works Cited

Melville, Herman. Moby-Dick: Or, The Whale. Edited by Andrew Delbanco and Tom Quirk, Penguin Publishing Group, 2003.

Ruggiero, Vincenzo. “Moby Dick and the crimes of the economy.” British Journal of Criminology, vol. 42, no. 1, 1 Jan. 2002, pp. 96–108, https://doi.org/10.1093/bjc/42.1.96. 

Royster, Paul, “Melville’s Economy of Language” (1986). Faculty Publications, UNL Libraries. 1. https://digitalcommons.unl.edu/libraryscience/1 

What I’ve learned this semester

This class has definitely been unlike any other English course I’ve taken before. Usually we read anywhere between 4-5 novels throughout the semester, not really giving us anytime to analyze and go into depth like we did in this class with Moby-Dick. To be honest I enjoyed this experience a lot more compared what I’m used to. I think that by focusing on one novel, a really intense one at that, it definitely gave me a chance to fully explore my thoughts and emotions on the book instead of just skimming through it and not really going in depth with it. Moby-Dick is also unlike any novel I have ever read before. Going into this semester I was intimidated by it, and I think throughout the semester it was still pretty intimidating, but there definitely was a point where I was able to embrace that and remind myself that this novel is like that for most people. I cannot think of a better way to learn and analyze a novel; by hearing from my classmates and having discussions about the novel, it gave me more insight and allowed me to view the book from multiple perspectives.

This class challenged me in a way I’m not used to, and I’m very glad that it did. In the end I’m now feeling like a better reader and writer, and I’ve definitely brushed up on my analyzation skills that haven’t really been used like this in a long time. I think that every English major, or any major in general, should take this course if they want to learn not only about a great novel, but about different perspectives on life. To read this timeless classic is to change your life, and I’m so glad that I was able to experience that for myself.

The End

In Chapter 135 “The Chase – Third Day,” we get a lot of excitement. The part of this chapter I would like to focus on is actually the very last sentence of the chapter: “Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago” (Melville 624). I find it difficult to think of a more poetic last sentence to end this whaling expedition; a reminder that the ocean was here long before us, and it will be here long after. Ahab and the rest of the Pequod tried to conquer what is unconquerable, and their need for revenge against Moby Dick is what caused their demise. I think we all saw that one coming. The last sentence of this chapter gives me an almost calming vibe, as if the ocean is unbothered by what has just happened. It has seen many men like Ahab, and has delivered a similar fate to those men who try to defy it. Ahab, the man who considered the ocean his home more so than the land, meets his poetic fate in that very place.

Everything that the novel has shown us, taught us, critique us, and confused us comes to conclusion with this chapter. I feel relieved honestly, but it’s bittersweet because I have never once gone into such an in depth analysis of any material as I have with Moby-Dick this semester. From the days where I couldn’t stop reading it, to the days where I got 5 minutes in and decided that was enough. This novel is truly one of the most daunting and incredible pieces of art I have ever seen, and I’m so glad I don’t have to read it ever again (just kidding, but not really).

Essay 2 – Moby-Dick or, The Whale Against Capitalism

Herman Melville’s novel, Moby-Dick, serves as a critique of capitalism and its effect on American society. Throughout the novel Melville uses the whaling industry as a metaphor for capitalism; he demonstrates how the life-threatening labor of workers is used for the enrichment of others, how crewmembers on the Pequod are merely seen as a commodity for profit, how material wealth overrides the morality of those working and living in a capitalist society, and the disconnect between the consumer and the laborer. The novel shows readers that capitalism in America has created an individualistic society in which profit and gain is more important than morals and lives.

In Chapter 16, titled “The Ship,” Ishmael meets Captain Peleg and Captain Bildad, the owners of the Pequod, for the first time prior to the ship’s departure. Being the owners of the ship, both the captains will take a majority of the profit that is made from the Pequod’s whaling expedition. However neither one of them will step foot on the ship during its journey, and instead they will stay on land and reap the benefits of the hardworking and life-threatening labor done by the crew members of the Pequod: “ ‘Thou are speaking to Captain Peleg – that’s who ye are speaking to, young man. It belongs to me and Captain Bildad to see the Pequod fitted out for the voyage, and supplied with all her needs, including crew. We are part owners and agents…’ People in Nantucket invest their money in whaling vessels, the same way that you do yours in approved state stocks bringing in good interest” (Melville 80-82). Captain Peleg and Bildad are able to avoid the risks of whaling, but by being owners of the ship they will still share most of the profit earned by the crew members during the Pequod’s dangerous expedition. This shows the disparity in industrial capitalism; the ones at the top will do the least amount of labor, yet they will still make the most amount of money. Melville compares the investment and ownership of whaling vessels to that of the reader’s investment in stocks. Like some stocks, the money that comes with whaling involves destruction, corruption, and death. Putting a profit over a life, whether it be whale or human, shows the immorality of the industry, and how capitalism has created a society in which people are only so interested in their own gain that they don’t care what has to be done in order to get it.

In Chapter 93, “The Castaway,” Melville uses the character Pip to highlight how workers are seen as a commodity for profit in American capitalist society. While chasing a whale, Pip leaps overboard and is caught by the rope connected to the whale. With the only option to save him being to cut the rope and freeing the whale, Pip is reluctantly saved by Stubb, who berates him for the incident: “ ‘Stick to the boat, Pip, or by the Lord, I wont pick you if you jump; mind that. We can’t afford to lose whales by the likes of you; a whale would sell for thirty times what you would, Pip, in Alabama. Bear that in mind, and don’t jump any more.’ Hereby perhaps Stubb indirectly hinted, that though man loves his fellow, yet man is a money-making animal, which propensity too often interferes with his benevolence” (Melville 452). Pip is told by Stubb that his life is not worth more than any amount of money that could be made from the whale. Profit over life, unsurprising considering the money is made off of the killing of whales. Melville shows the harsh reality of the industry, how workers are seen as expendable and should not be considered anything more than a commodity and a way to gain wealth. Directly after this, Pip falls overboard once more, and the cruelty of capitalism is shown in full effect: “Pip jumped again… when the whale started to run, Pip was left behind on the sea, like a hurried traveller’s trunk. Alas! Stubb was but too true to his word… Stubb’s inexorable back was turned upon him; and the whale was winged. In three minutes, a whole mile of shoreless ocean was between Pip and Stubb… For the rest, blame not Stubb too hardly. The thing is common in that fishery” (Melville 452-454). This time, Stubb sticks to his word and puts the potential profit of the whale over the life of Pip. Melville also points out how this is a common occurrence in the industry, and to not judge Stubb too harshly for his immoral decision. Too often it is seen in America that the lives of workers are less important than the money that is made off of them. Capitalism has created a society that does not care about the loss of life so long as the money keeps coming in. Pip’s life did not matter to Stubb or to any of the other members on the boat, as they were too focused on killing the whale that could make them some money. Perhaps even more so, Melville uses Pip, a Black American, to demonstrate how another industry puts the importance of profit over life and morality; slavery. Still the major issue in America at the time of the novel’s publication, slavery is capitalism in its most cruel form. The gaining of profit off of the buying and selling of humans, forcing them into unpaid labor, and treating them like they are inferior. This chapter goes to the full extent in showing the brutality and viciousness of capitalism in America, and how money overrides morals.

Throughout the novel Melville shows the dangers of the whaling industry. He goes into the harsh details of killing whales and the production of whale oil, a product used by many Americans at the time; by doing so Melville is able to demonstrate the disconnect between consumers and laborers under capitalism. In Chapter 61, titled “Stubb Kills a Whale,” Melville gives the reader a brutal detailing on the killing of a whale by Stubb: “And now abating in his flurry, the whale once more rolled out into view; surging from side to side; spasmodically dilating and contracting his spout-hole, with sharp, cracking, agonized respirations. At last, gush after gush of clotted red gore, as if it had been the purple lees of red wine, shot into the frighted air; and falling back again, ran dripping down his motionless flanks into the sea. His heart had burst! ‘He’s dead, Mr. Stubb,’ said Tashtego” (Melville 311-312). The production of whale oil comes at a cost. The harsh killing of whales in a most vicious form, of course dangerous for whales but also the men tasked with killing them. Consumers are not the ones going out into the ocean and harpooning a whale until it is dead, yet they are the ones using the oil for simple things like candles, lamps, and soap. Another example of this occurs in Chapter 96, “The Try-Works.” In this chapter, the reader is introduced to the process of turning whale fat into oil, something that many consumers of the product do not see: “These fritters feed the flames… the whale supplies his own fuel and burns by his own body. Would that he consumed his own smoke! for his smoke is horrible to inhale, and inhale it you must, and not only that, but you must live in it for the time. It has an unspeakable, wild, Hindoo odor about it, such as may lurk in the vicinity of the funereal pyres. It smells like the left wing of the day of judgement; it is an argument for the pit” (Melville 462). This description of the creation of whale oil shows a side that the consumer does not see; workers in harsh conditions, breathing in smoke that is not meant to be inhaled, working in a strong stench of burning blubber, the Pequod is both a ship and an industrial factory. The whaling industry makes its profit off the ignorance of their consumers, no doubt hiding the harsh realities that go into it. 

Herman Melville’s novel, Moby-Dick, is a critique of capitalism and how it has severely affected American society. Melville uses the whaling industry as a critical analysis on capitalism, demonstrating how the poor treatment of workers, the disparity between consumer and laborer, and the immorality of capitalism has turned America into a country in which profit is more important than lives, whether that life be whale or human.

Ahab – a brother of the sea

In Chapter 116, “The Dying Whale,” we see that the Pequod has killed four whales, one of which was killed by Ahab’s boat. In this chapter Ahab opens up more about his own turmoil and inner thoughts, what he believes in and what he worships. While killing the the whale, he notices that the whales always turn their heads towards the sun, as if they were worshipping it in their final moments; “He too worships fire; most faithful, broad, baronial vassal of the sun!” (Melville 539). Ahab then goes on to discuss the similarities between both living things on land and in sea. This part of the novel almost feels like I’m reading a Shakespeare play, I can feel and understand the emotions that Ahab is feeling, his deep feelings of connection with the ocean. Ahab tells us that he may have been born on sea, but he belongs on the water; “Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!” (Melville 540).

I think the purpose that this chapter is serving is to remind us that both man and whale, livings things on land and living things in the sea, are all connected and the same. A whale may worship the sun, the same way a human might’ve in ancient times. We are no better than those animals that live in the ocean, they are our brothers and sisters of this earth, and it is important for us to recognize that. However, of course, this doesn’t stop Ahab and the rest of the Pequod from killing whales for money, perhaps showing the superiority complex that humans have developed.

Ahab & Starbuck

The chapter I am focusing on is chapter 109, “Ahab and Starbuck in the Cabin.” This chapter shows us an interaction between Captain Ahab and Starbuck; like most of their interactions before, we really get to see the differences between the two characters, noting that neither one of them is fond of the other.

One quote that stood out to me this chapter came from Starbuck when leaving Ahab’s cabin: “Thou hast outraged, not insulted me, sir; but for that I ask thee not to beware of Starbuck; thou wouldst but laugh; but let Ahab beware of Ahab; beware of thyself, old man’ ” (Melville 518). I found this warning to be fascinating, and something that could be noted as foreshadowing. After writing my first essay about the dangers of a leader such as Captain Ahab, I enjoy reading the parts of the novel where Starbuck calls him out for his delusions and corrupt leading. I truly believe that Ahab will be the downfall of both himself and the Pequod, there is no doubt that his obsession and anger will cause trouble for the rest of the crew members later on in the novel.

This chapter, although pretty short, gives us good insight into the relationship between Ahab and Starbuck, and we are able to see that not much has changed since the beginning. It will be interesting to see how their relationship will continue to play out the more the novel progresses and the more wild and crazy Captain Ahab becomes.

An old & glorious occupation, no more

Chapter 82, “The Honor and Glory of Whaling,” offers us a great insight into the history and mythology of whaling and stories of whales. One section that particularly stood out to me was when Ishmael said, “Nor do heroes, saints, demigods, and prophets alone comprise the whole roll of our order. Our grand master is still to be named; for like royal kings of old times, we find the head-waters of our fraternity in nothing short of the great gods themselves” (Melville 397). It truly shows the significance that whaling has had throughout history, it is stories both ancient Greek and Roman, it’s in the Bible, it’s in many different religions such as Hinduism, the impact and importance of whaling is something that has been lost in time as the book has gotten older. Now we look at whaling and we disagree with it, for a good reason of course, but back then it was heroic and it was something that the legendary men in myth, Hercules and Perseus, did.

I think that Melville wrote this chapter to show why whaling should have been considered a prestige occupation with a sort of righteousness that came with it; “when I find so many great demi-gods and heroes, prophets of all sorts, who one way or other have shed distinction upon it, I am transported with the reflection that I myself belong, though but subordinately, to so emblazoned a fraternity” (Melville 395). It seems like Melville is talking about himself here, and how he feels to be included in a group that is surrounded by legends and myths and religious figures, people’s whose stories have been around for millenniums. Another quote that stood out to me was, “Those were the knightly days of our profession, when we only bore arms to succor the distressed, and not to fill men’s lamp-feeders” (Melville 395). It shows how much whaling has change from the days of Perseus to when Melville was writing Moby-Dick, and now today were the whaling industry in America is dead.

This chapter definitely showed the historical and mythical significance of whaling. It’s incredible to think that something we now view as unethical and immoral was once viewed as heroic and glorious, however the purpose of whaling has changed significantly since those times. Mythical legends, Saints, Heroes, and gods all take up a seat in whaling, as Melville puts it; “Perseus, St. George, Hercules, Jonah, and Vishnoo! there’s a member-roll for you! What club but the whaleman’s can head off like that?” (Melville 398).

Essay 1 – The Dangers of a Charismatic Leader

In the novel, Moby-Dick, author Herman Melville is critiquing charismatic leaders through the character Captain Ahab, who represents the dangers of an influential leader that is filled with anger, vengeance, hubris, and a destructive obsession. This is seen throughout the novel with his ability to steer the crew members of the Pequod to have the same animosity towards Moby Dick, which in turn fuels both his and their need for vengeance against the whale. Captain Ahab’s ability to influence and disrupt the natural state of democracy on the ship shows how leaders like himself are dangerous and a threat to society.

In Chapter 36, titled “The Quarter-Deck,” Captain Ahab uses his charisma to take control over the Pequod, and establish himself as the de facto leader of the ship. This is seen when he offers the men a gold ounce to whoever spots Moby Dick: “[Ahab] advanced towards the main-mast with the hammer uplifted in one hand, exhibiting the gold with the other, and with a high raised voice exclaiming: ‘Whosoever of ye raises me a white-headed whale with a wrinkled brow and a crooked jaw; whosoever of ye raises me that white-headed whale, with three holes punctured in his starboard fluke – look ye, whosoever of ye raises that same white whale, he shall have this gold ounce my boys!’ ‘Huzza! huzza!’ cried the seamen” (Melville 176). This shows how easy it is for Captain Ahab to influence the men on the Pequod, and to put himself in a position in which they will do what he tells them to without second guessing it. What was originally supposed to be a normal whaling boat, has turned into a hunting boat by orders of Captain Ahab. What was originally supposed to be democracy on the ship, has turned into an attempt at tyranny because of the Captain’s desire to find and kill Moby Dick. The dangers of his charisma are shown very clearly. He uses it to gain control over the ship, and to enact a proposition that the man who finds the white whale will be rewarded with gold. This further divides the already diverse ship and creates a competitive environment amongst the men. Captain Ahab’s influence and leadership is a threat to democracy, and the men on the Pequod don’t even try to resist.

The men on the ship are all in for Captain Ahab’s plan, despite it disrupting what the original purpose of the trip was. Ahab is well aware of his influence, and knows that the crew members will have his back and follow his lead: “The crew, man, the crew! Are they not one and all with Ahab, in this matter of the whale?” (Melville 178). The awareness of his ability to control the men on the Pequod is what makes Ahab especially dangerous; he doesn’t care what happens to them so long as they do what he asks of them. It is strange but certainly not surprising to see the men be so on board with the Captain’s takeover. Once again in Chapter 36, Ahab is seen using his charisma to further establish his push for tyranny on the ship by involving the crew members in a toast to his leadership and their goal to kill Moby Dick. “Commend the murderous chalices! Bestow them, ye who are now made parties to this indissoluble league… Drink, ye harpooners! drink and swear, ye men that man the deathful whaleboat’s bow – Death to Moby Dick! God hunt us all, if we do not hunt Moby Dick to his death!’ The long, barbed steel goblets were lifted; and to cries and maledictions against the white whale, the spirits were simultaneously quaffed down with a hiss” (Melville 181). The crew members fiercely and willingly drink to the fall of democracy on the Pequod, falling into the trap that has been set by Captain Ahab. The men relate with Ahab’s anger, his need for revenge seeps into their minds and overtakes their own thoughts, they feel what he feels, think what he thinks, and do what he tells them to do. As the narrator of the novel, Ishmael, puts it: “A wild, mystical, sympathetical feeling was in me; Ahab’s quenchless feud seemed mine… I learned the history of that murderous monster against whom I and all the others had taken our oaths of violence and revenge” (Melville 194). Captain Ahab has convinced the crew that his anger and need for vengeance is theirs as well. It leads to the question of what exactly is Captain Ahab’s obsession with the whale Moby Dick?

In Chapter 36, “The Quarter-Deck,” Captain Ahab is successful in convincing the men of the Pequod to submit to his leadership and join him in his journey for revenge against Moby Dick. However, there is one man that Ahab is unable to influence, that being the ship’s First Mate, Starbuck. Starbuck is left unconvinced by Ahab, and questions his pursuit of the white whale, to which Ahab begins to tell Starbuck about his unwavering need for vengeance on Moby Dick: “How can the prisoner reach outside except by thrusting through the wall? To me, the white whale is that wall, shoved near to me. Sometimes I think there’s naught beyond. But ‘tis enough. He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. That inscrutable thing is chiefly what I hate; and be the white whale agent, or be the white whale principal, I will wreak that hate upon him. Talk not to me of blasphemy, man; I’d strike the sun if it insulted me” (Melville 178). Ahab’s obsession for Moby Dick stems from the idea that all the wrongdoings in his life are because of the whale. Anything bad that happens to him is at the fault of Moby Dick, he cannot get live while that whale which has caused his life to spiral into madness is still out there. His life is intertwined with Moby Dick, and his obsession and hubris will certainly lead to the downfall of himself and the Pequod

Captain Ahab is a criticism of leaders who use their influence to take control of a nation and turn democracy into disorder. The men on board who cannot see past his charismatic speeches and nature will also perish because of their own willingness to take part in a madman’s journey to fulfill a prophecy by which an unknown force has forsaken him with. Melville wrote this novel to critique dangerous leaders, whose obsessions overtake their lives, and lead nations into dangerous waters in which those who were following blindly will finally see the disaster that they cheered for and toasted to. Captain Ahab is not just a character, but a warning to all those reading Moby-Dick.

A ship controlled by vengeance

Captain Ahab’s own quest for vengeance has seeped it’s way into the minds of the rest of the crew members, deepening their own hatred for Moby Dick and further showing the influence that Ahab has over the men in the Pequod. The beginning of Chapter 41 offers us more insight into the feelings of animosity that the crew members of the Pequod are feeling towards Moby Dick: “I, Ishmael, was one of that crew; my shouts had gone up with the rest; my oath had been welded with theirs; and stronger I shouted, and more did I hammer and clinch my oath, because of the dread in my soul. A wild, mystical, sympathetical feeling was in me; Ahab’s quenchless feud seemed mine. With greedy ears I learned the history of that murderous monster against whom I and all the others had taken our oaths of violence and revenge” (Melville 194). Moby Dick takes up the mind of both Ahab and all his men on board the ship, consuming them in the feeling of vengeance. Ahab’s own personal quarrel with Moby Dick has managed to become everyone’s problem, with Ishmael claiming that he and the rest of the crew have taken an oath of “violence and revenge” against the whale, not stopping at anything to get their way.

This shows how influential Captain Ahab is. We have already been introduced to him as an almost mythical-like character, one that cannot be defined in anyway you would a normal person. His own need for revenge has became a need for everyone on the Pequod, and his ability to influence his men is astounding. Ahab is such a larger-than-life character, it is no surprise that many of the men fall into the trap of listening to his orders and hearing his stories which purpose is to fill them with anger. It is certainly interesting to see the character Ahab, especially today where we see a lot of similarities with many prominent figures in America.

It’ll be interesting to see how far Ahab is able to go with influencing the crew members of the Pequod, and how far they willing to listen and feel the same anger and need for vengeance that he does. In their minds, Moby Dick is the cause of all their pain and suffering.

Ishmael and Death

In Chapter 7, “The Chapel,” Ishmael goes into a Whaleman’s Chapel the day before his departure from Nantucket. He claims that there are very few people who would fail to visit the church the day before their departure out to sea, making it seem like God would favor those who step foot in the chapel before their journey on the water, over those who don’t. As Ishmael enters the chapel he takes of note of the memorials engraved into marble tablets on the wall, each one marking the death of a man at sea. Two of the three memorials Ishmael takes note of involves death that was caused by a whale, obviously something that would make someone going out on a whaling boat the next day a little uneasy. Towards the end of the chapter Ishmael begins to talk about fate and death, “I regarded those marble tablets, and by the murky light of that darkened, doleful day read the fate of the whalemen who had gone before me. Yes, Ishmael, the same fate may be thine” (Melville 42). Death follows those who go on whaling ships, whether you’re a sailor, a captain, a cook, or a commodore, both the sea and death will treat you all the same. Even if none of the crew mates die, the very idea of whaling involves the killing of whales and the exploitation of the sea.

Ishmael knows this. He knows the dangers of going out to sea, that each day is he just as vulnerable to succumb to the power of the ocean as the day before and the day after. Ishmael is aware of what he is getting himself into. However, it does not seem to bother him: “Yes, there is death in this business of whaling – a speechlessly quick chaotic building of a man into Eternity. But what then? Methinks we have hugely mistaken this matter of Life and Death. Methinks that what they call my shadow here on earth is my true substance… In fact take my body who will, take it I say, it is not me” (Melville 42). Death does not seem like something Ishmael is afraid of. He does not believe that his body defines who he is, but his soul and his spirit that makes the man. The death of his body is not the death of Ishmael, and he is not afraid of what he may face. I will be interested to see if Ishmael keeps the same sentiment while on his voyage, or if the dangers that await will change his attitude.