Short Essay – Ishmael, Queequeg, and a Nation of Fear and Ignorance

In the book Moby Dick, author Herman Melville uses the development of human relations to critique American society as a whole, building off the inability to determine differences between races and ethnicities to create a nation that is incomplete in its understanding of one another. Throughout Moby Dick, the reader can see the tension or heartfelt companionship between different characters, most of their relations quite intriguing when compared to the time. Most notable is the relationship between the narrator, Ishmael – a white, middle-class, Presbyterian Christian – and Queequeg, a black, Pagan cannibal. Melville uses the evolution of Ishmael and Queequeg’s relationship to illustrate how curiosity and lack of fear of the unknown serve as a fundamental factor in personal growth and the bettering of the United States as a nation built on ignorance, showing how a willingness to understand what is unfamiliar to a person can transform ignorance and prejudice into mutual understanding and respect. 

Chapter four of the book is the most notable for the strange and rather rushed companionship between Ishmael and Queequeg, though it is not the focus of this essay.  The narrator’s lack of information regarding his new roommate at the Spouter Inn dissolves into a state of pure panic; who could this man be? A murderer? A savage? Of what race or occupation could he have been? With little information on who Queequeg actually was – even the lack of his name earlier in the book – Ishmael resorts to outbursts of fear and anger, demanding to know who he is to be roomed with. Upon reveal, his own prejudice in regards to black individuals and cannibals from never-before-seen islands of the South Pacific Ocean, Ishmael cannot help but be both terrorized and enraged. Though very subtle, concerning the time in which Moby Dick was written, the United States was divided based on race and slavery. The North and the South were at odds with what to do about runaway slaves, and whether the new states occupied through Westward Expansion were to be turned into free or slave states. Newbedford, Massachusetts, where Ishmael and Queequeg first met, was a free state, but with the consequences of the Fugitive Slave Act circulating at that time, tensions between white and black individuals were at an all-time high. With historical context, we can see where Ishmael’s fear stems from – from the unknown identity of his roommate, and later, the realization that Queequeg was an uncivilized, black cannibal. 

From this lack of understanding of who and what Queequeg actually was stemmed a guttural sense of curiosity within Ishmael. The simple nature of observing Queequeg and his actions – the way he walks, dresses, his tattoos, his Pagan idolatry towards Yojo (the small doll he carries with him and seemingly worships), and his speech – began to break down the barriers of ignorance that separated Ishmael and Queequeg into various categories. Queequeg states in Chapter thirteen, “It’s a mutual, joint-stock world, in all meridians. We cannibals must help these Christians” (pp. 68). The much-needed development of the United States, to Melville, should be built on a mutual understanding of one another, not the categorization and segregation of white from the “other”. To Queequeg, we all all human, and despite the initial introduction between him and Ishmael, the curiosity shown between the two of them has developed into a mutual understanding and respect for each other. Melville uses this development in their relationship to critique to ignorance of the United States, founded on the lack of understanding of what makes white superior to other races, and condemning our nation to a future of further ignorance as it grows into the idea of fear of the unknown. We fear what we lack knowledge of, whether it be the depths of the ocean or the idea that we are all the same, regardless of our race. 

What makes the quote above so intriguing within the book is that prior, Queequeg is overwhelmed with a “profound desire to learn among the Christians, the arts whereby to make his people happier” (62), only to learn that the glorious nation of the United States and its Christian citizens were in fact so backwards in their ways of thinking and understanding one another that they should instead learn from the cannibals. Ironic to think about: Christians learning from the ways of cannibals, a group demonized and referred to as uncivilized and dangerous, not only for their race, but for their culture. The lack of knowledge of Queequeg and his people instilled a fear towards them, one that makes Ishmael and his relationship so out of the ordinary to most. Their relationship is a direct reflection of what Melville hopes the United States to become: an accepting, knowledgeable nation built on the mutual respect and understanding of different peoples, not one that is separated based on race, and the idea that white is superior to all else. 

The latter idea alone can be torn from its pedestal under the singular quote that Queequeg believes white Christians should learn from the group they despise to return to a place of unity over division. Moby Dick, while encompassing numerous allegories and references to the foundation of our society and nation, focuses on how the lack of knowledge and understanding of oneself and others can form a rift from which we develop as a nation into an ignorant and fearful people. 




Chapter 35: So lonely, so bored

In Chapter 35, “The Mast-Head,” Ishmael reflects on the uncanny stillness and spiritual isolation that comes from the high above the ship as a whale lookout. He starts turn the tone very philosophical and more about the consciousness of the human mind. In the quote, “but lulled into such such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thought, that at last he loses his identity…” (172) , he’s describing on how the watcher drifts away from its own consciousness and starts to separate from himself, basically losing his identity. Melville starts to use poetic imagery and philosophical views for us to see on how isolation can mirror the human struggle of awareness and illusions. It demonstrates on how Ishmael’s calm yet warning tone can see the meaning of searching for whales, but how it can lead to excellence or destruction.

It’s scary on how it can be easy to disconnect yourself and others in moments where you start feeling vulnerable. I’ve felt like when life starts getting hard and so my mind starts to wonder off to those thoughts, but then I start to reflect on the positives in order for me to seek the good things I have encountered in my life.

Ch. 35 “The Quarter-Deck”

“I came to hunt whales, not my commander’s vengeance” (177)

Ahab is very hungry; he is hungry for revenge, which is hilarious because he thinks he will find “Moby Dick,” but he won’t. He might find a big white whale, but he isn’t going to find thee whale. It shows how this isn’t business for Ahab, it’s a personal trip. He isn’t here to make friends or family; this is his lifeline, finding Moby Dick to have his revenge. He is too hungry, he is a dictator, he is mean and so rude to everyone but himself but when it comes down to it, he needs the shipmates help, because of his legacy, he think he deserves this hierarchy. Everyone is sacred of him including Ishmael, even if doesn’t say it. instead of Ahad leading and being apart of a team, he is by himself, he has changed the mission and has bribed the crew to gain “trust”. Ahad is overly obsessed with finding and killing Moby dick, its pathetic. Ishmael is the only one who can see it, to me, sees how Ahad isn’t a nobel leader but a whale king. I guess not all things nobel are melancholy.

I wonder if Ahab is lonely and hates himself?

The Loneliness of the Pequod

In chapter 35, the ship can be seen as a space that is isolating which then results in a loss of self identity. Ishmael mentions that being on top of the mast-head, which is at the highest point of a ship where men stand watch, stands at “a hundred feet above the silent decks.” The mast-head is physically and mentally isolated from everyone, leaving the sailor no other choice but to be alone with his thoughts. The sailors go through a routine every couple hours to switch out the mast-head watchers. During these shifts, these men are by themselves for hours at a time, so there is no room for socializing with the other men and building relationships- a reality that heightens their sense of isolation. Ishmael goes on to say, “There you stand, lost in the infinite series of the sea, which nothing ruffled but the waves” (Melville 169). The ocean may be captivating, but there is no one in sight and the stillness of the ocean and sound of the waves causes solitude and loneliness to creep up. Due to the solitude, it contributes to the loss of self identity. Ishmael says, “unconscious reverie is this absent-minded youth by the blending cadence of waves with thought, that at last he loses his identity” (Melville 172). The waves are hypnotizing young men, including Ishmael, and causing them to get lost in their own thoughts and ultimately leading to a detachment from reality so greatly that their identities also fade away. By being so absorbed in one’s thoughts can bring up existential questions, which overall leads to curiosity and uncertainty, and of course eventually leads to identity issues. Ishmael even brings up that he was a “sorry guard” due to the fact that he was left completely alone with his thoughts so high up. His self reflection showed how isolation has a great impact on the human psyche, showing that having your thoughts overpower you to the point where you detach from the physical world can lead to a loss of self.

The Mast-Head

In Chapter 35, Ishmael is standing on the mast-head to keep lookout while admitting that “…I kept but sorry guard”(171) because he is too emerged into his thoughts. Reflecting back on early class discussions regarding the type of services the ocean provided for people— travel and a form of clarity, Melville demonstrates the impact the ocean has on Ishmael by diverting his attention from the job in front of him to being drowned in a state of reflection while simultaneously being distracted.

During this state of mind, Ishmael reflects on the young philosophers who lack interest and ambition while whaling and then continues to emphasize the importance of not been distracted while observing “But while this sleep, this dream is on ye, move your foot or hand an inch, slip your hold at all; and your identity comes back in horror.”(173) Ishmael seems to realize the influence he has on his own life—the delicacy of life while on the boat.

Ahab; or the fallen angel

Ahab is searching for God. Chapters 36, 37, and 38 were interesting to me because not only does Ahab confront the crew and have them sign a pact (or a deal with the devil), but Starbuck publicly questions the madness of his captain and voices the doubts that others are more than willing to ignore in favor of peace. What interested me was the fragile peace maintained on the ship, and how Ahab is almost daring Starbuck to challenge him, and inspire rebellion. This instability is revealed to us in Chapter 37, Sunset, where we get insight into Ahab’s inner thoughts. What I found there proves to me without a doubt that this quest, for the whale, is the quest of a fallen man, a quest for God. 

Ahab has lost all connection and appreciation of nature: “ Oh! Time was when the sunrise nobly spurred me, so the sunset soothed me. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne’er enjoy it. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! Damned in the midst of Paradise! (182)”

Like Starbuck, I feel such immense pity for Ahab. Surrounded by the beauty and splendor of the open ocean, which seems to have been his heaven on earth, his paradise, but he can enjoy none of it. Ahab is like a dead man walking. He is completely disconnected from God and fueled only by anger and rage, which is focused on Moby Dick. But why has his disillusion with god become funneled into this Whale? I look to these passages where he acknowledges the accident: 

“it was Moby Dick that dismasted me, Moby Dick that brought me to this dead stump I stand on now(177).” 

“The prophecy was that I should be dismembered; and – Aye! I lost this leg. I now prophecy that I will dismember my dismemberer. Now then, be the prophet and the fulfiller one. That’s more than ye, ye great gods, ever were(183).”

By describing his losing his leg to the whale as ‘dismasting’ and ‘dismembering,’ we understand that this act by the whale, or by god, threatened his masculinity. His acts of madness, his exertion of force amongst the crew, and intimidation of Starbuck, feel like attempts by him to restore his masculinity and power through his position at the top of the hierarchy. Furthermore, he numerously attempts to scorn God by enlisting pagan harpooners, making them swear an oath to him (to hunt and kill Moby Dick), and describing himself as a prophet and fulfiller, greater than “ye great gods ever were.” This path Ahab is intent on paving has a biblical mirror, and like the fallen angel Lucifer, he has joined forces with his crew to wage war on God and his creatures.

Week 8: Mast Head analysis– CH. 35

I really found chapter 35 interesting because there were several allusions to the conscious and unconscious that Ishmael channels from when explaining the experience of the mast with the high winds. In consciousness, he realizes that, and to paraphrase, uneventfulness is witnessed when there is no news, or extras’, indicating entertainment and consumerism that feeds off of people’s souls. There is one particular text he says, which is: “…it is much deplored that the place which you devote so considerable a portion of…your natural life, should be so sadly destitute of anything approaching to a cosy inhabitiveness… a comfortable localness of feeling…a bed, a hammock, a hearse, a sentry box, a pulpit….” This text in particular is critical because it challenges artificial, man-made transcendence through these mediums of vanity and how we as humans are wired to find comfort in sedentary life fascinated by consumerism. In this way, the author warns us that we become too comfortable to actually be our full potential as we isolate and hide in these mediums for comfort. ‘Cosy inhabitiveness’ contradicts itself as both words are nothing alike, juxtaposing themselves and working against. This is written into the line in order to convey “otherness” to the medium, making readers realize that the comfort we often resort to in society is almost always consumed in media to make us feel elated and transcended. By doing so, we do ourselves the disservice of breaking free from toxic consumerism/ advertisements telling people how to live their lives in order to gain money out of people’s worldviews. This becomes dangerous as we breath in media and make it a social propaganda that divides instead of reframes conceptual ideas and infrastructure.

Week 8: Chapter 36

This week’s chapters of Moby-Dick were some of the most challenging, but exciting chapters for me. As we finally dive into life on the Pequod, I have found it exciting to learn more about sailing, whaling, and even discovering the ways I have formed opinions on certain aspects of life at sea without ever realizing.  The chapter that I found myself constantly being pulled back to was “The Quarter-Deck” where readers finally get a closer look at Ahab, including his intention and motivation for this voyage. This chapter made me think deeper on nature and the influence that humans have on something that is rather innocent. Ahab hypes up the men for their voyage of getting his revenge on the whale that took his leg, he states “And this is what ye have shipped for, men! To chase that white whale on both sides of land, and over all sides of earth, till he spouts black blood and rolls fin out” (177). Within Ahab’s long winded speech Melville turns the white whale into a symbol of vengeance, taking something of nature and demonstrating how humans often create their own meaning that turns violence onto something rather innocent. It feels that Melville is proving a point to readers by showing us how humans can turn nature into a reflection of their own fears and need for control by creating this thought process that justifies their actions. The white whale is simply in its home and is constantly being chased and hunted, later we find out that Ahab was going after the whale with a knife which is when his leg gets taken. However, through this speech Ahab makes it seem as though the whale had done this horrific thing, when in reality it has been hunted by countless humans and seemed it might be tired and pissed off over constantly being on the lookout. Later in that section, Starbuck has another quote that stuck out to me, stating “Vengeance on a dumb brute!… that simply thee from blindest instinct! Madness!” (178). Melville adding this demonstrates how quickly people are to follow one another without critically thinking for themselves. Starbuck points out that the white whale is simply a “dumb brute” that is acting out of pure instinct and not attempting to be violent. His reaction to Ahab calls out both the captain but also the reader on how insane it sounds to seek destruction against nature. With this chapter it felt that Melville was challenging readers to think deeper on the effect that we have on nature and to take a step back to reflect on how quick humans are to destroy something they can’t understand.

Ahab’s Challenge

In chapter 36, “The Quarter-Deck,” Melville almost literalizes the phrase “speak of the devil.” After Ahab said that he would reward the sailor who saw a white whale matching Moby Dick’s description, Ahab commanded, “Skin your eyes for him, men; look sharp for white water; if ye see but a bubble, sing out.” Shortly thereafter, the harpooners Tashtego, Daggoo, and Queequeg spotted the white whale Ahab had described. Ahab’s phrasing also felt as if he were summoning the whale itself, like he knew it was there. The sequence of events mirrors the phrase “speak of the devil” because almost immediately after Ahab described it, Moby Dick appeared. In other words, Melville turned a familiar phrase into a narrative device.

Ishmael’s Depression. – Chapter 35

This week, when reading, the following few lines on page 169 stood out to me: “There you stand, lost on the infinite series of the sea, with nothing ruffled but the waves. The tranced ship indolently rolls; the drowsy trade winds blow; everything resolves you into languor.” This passage immediately caught my attention because of how calm and dreamlike it feels. It evokes a sense of peace and surrender, which contrasts sharply with the restless energy Ishmael displays at the start of the novel. On the opening he admits that he often finds himself overcome by feelings of gloom and isolation, and when he feels that way he runs away to sea.

By the time we reach this scene, though, there’s a noticeable change in tone. The sea, once a vast and potentially threatening force, now acts as healing for Ishmael. The stillness of the water and the gentle rhythm of the waves mirror an inner calm that he tends to find while away at sea- and that’s going to be interrupted very soon by Ahab.

In particular, the phrase “everything resolves you into languor” suggests a sort of peaceful surrender. A letting go of tension and restlessness that he feels while on land. It feels like he’s finally learning to be at ease with himself and his surroundings.

I would argue that this passage represents Ishmael emerging from his depression through his time spent at sea. The ocean becomes a space of restoration and reconciliation for him, allowing him to detach from the pressures and anxieties of life on land. This moment feels like a rare glimpse of tranquility, a moment where Ishmael’s soul seems to align with the rhythm of the world around him as he describes life at sea to the reader.