In these chapters of Moby-Dick, Melville offers us a deeper look into the relationship between Ishmael and Queequeg. We could interpret their connection as more than a simple growing friendship; there are elements of a romantic bond, as described by Melville. This interpretation is particularly interesting given the cultural context of the 19th century, where queer relationships were rarely, if ever, represented openly in literature. Seeing such intimacy written in this novel, in this way, can show how people at that time resisted or ignored the possibility of a queer narrative. In modern day, we are more exposed to queer narratives and can easily point out when artwork is queer; unlike in the 19th century, when representation was kept minimal.
Chapter 10 especially emphasizes both the physical and emotional closeness between Ishmael and Queequeg. Ishmael describes how Queequeg “pressed his forehead against mine, clasped me around the waist, and said that henceforth we were married.” (Melville 57) The way that Melville worded this is striking, not only for its tenderness, but also for implying a relational permanency between the two with the term “married”. Later, Ishmael continues, “thus, then, in our hearts’ honeymoon, lay I and Queequeg — a cosy, loving pair.” (Melville 28) These scenes show the intimacy between the two sailors, hinting at a relationship rooted in devotion to one another.
What makes this chapter especially significant is not only the intimate dedication between Ishmael and Queequeg, but also the way their bond has been understood—or dismissed—over time. Some readers see their relationship as purely platonic, reflecting the deep companionships sailors often formed, while others interpret the affectionate and even erotic language as evidence of a queer connection. How readers respond to these passages depends greatly on the cultural lens of the time. In the 19th century, queerness was rarely acknowledged; the term “homosexuality” itself was not coined until the late 19th century, as early as the 1960s, according to the Stanford Encyclopedia — about 10 years after the release of Moby-Dick. This does not mean that queer relationships did not exist, but rather that society lacked the language and openness to recognize them. Reading Moby-Dick today, in a time when queer relationships are more visible and celebrated, allows us to see possibilities in Ishmael and Queequeg’s intimacy that may have been overlooked in earlier years. This contrast across time highlights how literature can be reinterpreted by different audiences, reflecting changed understandings.
Hello Liz! I enjoyed reading through your blog post! The relationship of Ishmael and Queeqeg has been an enjoyable read so far, to see how much they have grown since their first meeting. The romantic bond that they must have after sleeping together and the other small moments make it seem as if Melville was hinting at something more between them. The examples you used were some of my favorite reads, and I hope to see more of them both throughout the story. Do you think that Ishmael and Queeqeg will have more of a relationship dynamic throughout the rest of the story? Or do you think that Queequeg’s cannibalistic nature might come out while he is on the boat with him and others? That would be an interesting route that the story could take their relationship!
Great blog post and So What– “How readers respond to these passages depends greatly on the cultural lens of the time.” Indeed, I often think about this novel as being as much about readers as it is about the characters it contains. I often think that Melville is turning a mirror to us readers to ask us which lens we are using and what culture we are part of as we’re reading his text. Very astute work here!